![]() ![]() ![]() October 28, 2022: Roger Ebert Lecture: "Re-Enchanting Our Relationship to Film and Media History: A Brief Survey of the Media Ecology Project," presented by Mark Williams (BA '78, LAS), Associate Professor of Film and Media Studies at Dartmouth College and Director of the Media Ecology Project.April 18, 2023: Ebert Symposium Film Screening: Symbiopsychotaxiplasm: Take One.Watch a recording of the keynote by Amir George of Kartemquin Films: April 19, 2023: Ebert Symposium Keynote and Roundtable Discussions.Pictured above: The inaugural Roger Ebert Lecture in 2022 featured a special video message from filmmaker Martin Scorsese. Watch a recording of Martin Scorsese's message about the launch of the Roger Ebert Center for Film Studies: November 30, 2023: Ebert Center Screening Series: The Cult Film Experience.October 27, 2023: Roger Ebert Lecture and Screening: Iranian Cinema-"Provenance, Fakes, and Feuds: Building Expertise around Transnational Genre in 1960s Iran," presented by Kaveh Askari, MSU.October 26, 2023: Roger Ebert Lecture and Screening: Iranian Cinema-Screening of Fariyad-e Nim-e Shab / Cry of Midnight.September 14, 2023: Welcome Event: Roger Ebert Center + You.Learn more about the Ebert Center's launch.įor more information about the Roger Ebert Center for Film Studies, please contact Angela Aguayo, acting director and associate professor of media and cinema studies, at more about Ebert Center initiatives. It will also support Ebert research grants and travel grants for film studies as well as the long-running Ebert Fellows Program, which selects three undergraduate students per year for an in-depth experiential learning opportunity. The Ebert Center will offer robust annual programming, including the Ebert Symposium, Ebert Lecture, and a screening series. The Roger Ebert Center for Film Studies officially launched in 2022 thanks to gifts totaling more than $5 million from a collection of donors-inspired by a lead gift from Roger and Chaz Ebert. Master of Science in Strategic Brand CommunicationĪBOUT THE ROGER EBERT CENTER FOR FILM STUDIES.Frank Center for Leadership and Innovation in Media.And a scene when the still-antagonistic couple is stuck in a literal closet is just the right mix of claustrophobic discomfort, a growing realization of their attraction, and, even more surprising, their mutual respect.Link to University of Illinois website Degrees A New Year’s Eve party scene is edited with wit and style by Kristina Hetherington and Nick Moore. These small, careful touches give what otherwise could be a glossy but bland Hallmark-style film some texture, and López’s background in musical theater gives him a good sense of the rhythm of storytelling. Oscar briefly references the challenges he and Ellen faced, implying that coming from different cultures made people skeptical about their future. The always-terrific Collins as Oscar has a lovely scene showing his son he supports his love for Henry. We see it clearly in how the journalist speaks to Alex in Spanish to assume a kind of kinship and intimacy that Alex parries uncomfortably. Each supporting character is comfortable with who they are, and they do not feel they need to mute their accents or otherwise “blend in.” It becomes a delicately handled plot point when Alex interacts with a Hispanic reporter, always looking for an edge. The cast is refreshingly diverse, with an understated, almost casual, natural sense that this is just the world these characters live in. López and his gifted cast deftly shift the tone from near slapstick to touching drama. It’s a classic rom-com set-up, but this is a more ambitious story. In international relations, it seems important to show the world that the two young men are great friends. They get into an embarrassing mess (literally) at the wedding reception. We will find out later why they dislike one another. Alex is annoyed to be relegated to such a photo-op of an event, and does not want to see the groom's brother, Prince Henry ( Nicholas Galitzine). He is passionate about politics but confined to ceremonial assignments, like escorting Nora, the granddaughter of the US Vice President (a charming Rachel Hilson), to the wedding of the grandson of the King of England and next in line to the throne. Alex Clarmont-Diaz ( Taylor Zakhar Perez) is the son of President Ellen Clarmont ( Uma Thurman) and Congressman Oscar Diaz (Clifton Collins Jr.). Before that, we have the part we go to movies to see, where initial hostility turns to grudging respect, then some flirty banter, and then a growing recognition that they are deeply in love. ![]()
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